skateboard plus?

With an eye to activities in the dead sea and area.. Perhaps its an opportunity to fix the skateboard lower with a carbon fiber solution? Element Carbon Fiber Skateboard http://www.instructables.com/id/How-To-Cut-and-Apply-Carbon-Fiber-to-a-Skateboard/ http://carbonskate.com/pages/distributors http://revdeck.com/products/Revdeck-carbon-skateboard-%28deck-only%29.html http://www.ebay.com/sch/i.html?_sacat=&_mPrRngCbx=1&_udlo=&_udhi=&_sop=12&_fpos=&_fspt=1&_sadis=&_nkw=carbon+fiber+skateboard&rt=nc&LH_BIN=1 http://www.ebay.com/itm/Carbon-Fiber-Downhill-Longboard-10-x-40-Skateboard-Blank-Board-drop-through-/171168247319?pt=LH_DefaultDomain_0&hash=item27da6c2e17 http://www.zazzle.com/carbon+fiber+skateboards

skateboard push and the meaning? the significance? the confabulation? the X?

Was wondering about the practice of going to furtherfield while searching for gasworks.. The question of skateboard pushes.. What did it do there? Number of pushes to begin with.. Then What kind or How to push.. A push.. Pushes.. In at least the context of skateboarding, is how the skating moves, mostly.. Each push is, […]

imitating emergence via design for the spirit and forgetting skateboarding urban soul?

With spirit as a generalised term for aspiration drive, and soul as a general term for character – perhaps should use character..(??!!) It seems interesting that a skateboarding space that emerged, a bit like other urban elements tend to emerge unintentionally from design, suddenly nedds to be moved. However, to justify the move, they want […]

the organism that is the way between rio and brasilia?

These are initial ideas/instigators for the practice of making road/way organisms. (In general, I think we can probably get rid of the physical elements, but perhaps I need to begin with the whole experience to be able to critique it..?) The way will be in the sole of the shoes and each day – a […]

colliding in Rio

Barracão Maravilha International Residency Proposal Synopsis Responding to the residency open-call, I’d like to use the time and situation in Barracão Maravilha to question urban artistic imaginations of our times through cooperative collisions of languages, cultures, expectations, perceptions and preconceptions. To create such cooperative collisions I will: 1. Offer urban cultural network workers, such as […]